This week we are featuring the talented Dina S. Paulson-McEwen. Her poem “Verboten” was featured on Dying Dahlia in August 2016. Her first book, Parts of Love, will be out in March but is available for preorder until January 19.
What inspires you the most?
The interstices/cruxes of love and loving. As Parts of love developed, it went from uplifting/making memoiristic a celestial/romantic love to incorporating those exigencies with scratched love. The book’s mind spread to different actors–fractured and connected love not only between lover and lover, but between bodies relating as family and friend, bodies close through intention and chance, bodies who can hold worlds (and can be worlds themselves) inside of themselves.
Who are your favorite women writers?
So many! Favorites include Rebecca Lindenberg, Nikki Giovanni, Franny Choi, Sappho, Joy Harjo, Anne Carson, Ada Limón, and Gillian Flynn.
What does your writing process look like?
Recently, I have been starting my day with an autowrite about five times a week. In general, I tend to write in the afternoon or evening. An autowrite (taught by a Winter Tangerine workshop at Poets House!) is writing for thirty minutes–keep the pen moving, don’t stop to analyze, just get it (something) out. Some of my autowrites have made their way into a current project. I get inspired by science, animals, walking fast, being outside, watching, being close with other bodies, listening, feeling. Sometimes I edit and send revised stuff late at night to my editor, and I am lucky she is a night owl!
What advice do you have for fellow women writers?
I think the idea of being (or deciding) you are a woman writer is powerful to begin with. I didn’t really start out seeing myself like this, but I do now because I think how I make up my womanhood is a central force in the way I see and put words together. Every woman’s version of what being a woman means to herself/themselves is unique. I think the most important thing is to feel where you feel yourself fit with yourself. Women writers have a lot of power not only because women and writers are powerful as individual identities but because women writers can tell certain stories that perhaps only women writers can tell.
What are you currently working on?
I am working on a full-length poetry manuscript. The concept keeps growing into itself so I keep adding words to its title in Google Docs in caps, so it’s like it’s yelling, but it helps me focus.